Sexy interacial chat

Posted by / 19-Jun-2017 05:43

Sexy interacial chat

The best reason to read this book is simply that it is fantastic: original, provocative, revelatory and bursting with life.” — Los Angeles Times “A multidimensional revelation...

Delves deep into modern history and personal experience to yield, in calm yet prismatic phrases, urgent and deeply affecting insights into her times, which echo disturbingly today...

Collins’s style is fine, graceful, and reserved, but pierced with the harsh simplicity of lurking menace.” — New Yorker “The best of these stories are a revelation. Collins had a gift for illuminating what the critic Albert Murray called the “black intramural class struggle,” and two or three of her stories are so sensitive and sharp and political and sexy I suspect they will be widely anthologized.” — Dwight Garner, New York Times “Collins was a contemporary of Alice Walker and Jamaica Kincaid, and we should make room for her in the literary canon; Whatever Happened to Interracial Love?

is evidence that this space would be much deserved.” — New York Times Book Review “Each of Collins’ stories leaves the reader wanting to know more about the characters and their creator, which makes this an intriguing and bittersweet publication of these stories long awaiting the attention they deserve.” — Booklist “Her tableaux and vignettes take place decades in the past, yet the question of the title story seems more relevant than ever...

This is the magic of Collins’s voice: the firm belief that even the most private of metamorphoses sends out ripple effects far into the real world.” — Village Voice “A posthumous masterpiece...

A triumph.” — O, the Oprah Magazine “These vivid stories revisit the tumultuous ‘60s through the lives of black and white people as they connect, break apart and struggle to make sense of their identities.

Collins’s writing has much in common with Grace Paley’s wry vignettes of New York intellectuals.

Her voice is sharp and sophisticated but leavened by vulnerability and self-deprecation.” — Wall Street Journal “Fiercely honest and refreshingly candid.” — In Style “The writing is practically visceral; straightforward and crisp, leaving you wanting more and thinking about what you just read.” — Book Riot “Each one of these stories will take you somewhere deep and familiar, the kind of writing that makes the world around you fade away.” — Bustle “This previously unpublished collection of her stories will have many readers wishing they’d seen her work before... With a quick but searing touch of the brush, Collins crosses racial, gender, and generational divides, and her readers will, too.” — Library Journal “This previously unpublished collection of her stories will have many readers wishing they’d seen her work before.

The stories collected here are witty and revealing, and together constitute an unearthed gem of black women’s fiction.” — Henry Louis Gates, Jr., author of “Collins can work wonders with a single line...[her] voice is so original...

Both contemporary and timeless, “From the first page you know you’re in the hands of an exceptional writer...

Collins’ stories are passionate and light-footed, angry but also delicate - they move like quicksilver... She speaks of the many-sided lives of black women with care and intelligence.

Collins died in 1988, but her modern voice reminds us how little the dilemmas and heartache of interracial America have changed.” — People “The late writer’s newly unearthed work covers race, gender, family, and sexuality in a series of intimate stories gracefully stitched together to explore the African American experience.” — Entertainment Weekly “Collins’ writing is powerful and poignant, and she offers readers an essential look into issues like race, gender, and sexuality.” — Nylon Magazine “The collection offers a stimulating glimpse at a roller-coaster era for civil rights.

They take place where activism and love intersect...

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I adored this book.” — Zadie Smith, author of Swing Time “Sexy and radical and intimate.” — Miranda July, author of The First Bad Man “Sharp, tender, and precise--full of wit and pleasure.

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